lunes, 18 de junio de 2012

Ganadores de los Premios Locus 2012

El pasado fin de semana se anunciaron los ganadores de los Premios Locus 2012. Son los siguientes:

  • Novela de ciencia ficción: Embassytown, China Miéville (Del Rey; Macmillan)
  • Novela de fantasía: A Dance with Dragons, George R.R. Martin (Bantam; Harper Voyager UK)
  • Primera novela: The Night Circus, Erin Morgenstern (Doubleday)
  • Libro juvenil: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, Catherynne M. Valente (Feiwel and Friends)
  • Novela corta: Silently and Very Fast, Catherynne M. Valente (WSFA)
  • Relato: “White Lines on a Green Field”, Catherynne M. Valente (Subterranean Fall ’11)
  • Relato corto: “The Case of Death and Honey”, Neil Gaiman (A Study in Sherlock)
  • Revista: Asimov’s
  • Editorial: Tor
  • Antología: The Year’s Best Science Fiction: Twenty-eighth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)
  • Colección de relatos: The Bible Repairman and Other Stories, Tim Powers (Tachyon)
  • Editor: Ellen Datlow
  • Ilustrador: Shaun Tan
  • No ficción: Evaporating Genres: Essays on Fantastic Literature, Gary K. Wolfe (Wesleyan)
  • Libro de ilustraciones: Spectrum 18: The Best in Contemporary Fantastic Art, Cathy Fenner & Arnie Fenner (Underwood)

Puedes consultar los finalistas aquí.

¡Enhorabuena a todos los ganadores!

sábado, 16 de junio de 2012

Ebooks gratuitos de Sportula, Grupo AJEC y PS Publishing

En estos momentos se pueden descargar gratuitamente de Amazon tres ebooks de Sportula, cinco de Grupo AJEC y otros tres de PS Publishing.

Los de Sportula son Territorio de pesadumbre, El sueño del rey rojo y Embryo (éste en inglés), todos ellos de Rodolfo Martínez.

Grupo AJEC nos ofrece Las graves planicies de Antonio Santos y otros cuatro que ya habían estado gratis en ocasiones anteriores: Antigua Vamurta de Igor Kutuzov, El despertar de Nuxlum de José Antonio Suárez, Dos Coronas de Susana Eevee y La biblioteca de las maravillas de Miguel Cuesta y José Rubio (ojo, porque algunos de ellos están gratis en amazon.com pero, por algún motivo, no en amazon.es).

Finalmente, PS Publishing ha puesto gratis varios relatos de Peter Crowther: Bernard Boyce Bennington & The American Dream, Front-Page McGuffin & The Greatest Story Never Told y Cliff Rhodes & The Most Important Journey.

Nota: Escribo desde un dispositivo móvil y me resulta complicado proporcionar los enlaces exactos, pero una búsqueda en Amazon por las editoriales de los ebooks da rápidamente el acceso a los ebooks.

viernes, 15 de junio de 2012

Existence de David Brin

Banda sonora de la reseña: Sugiero que leas esta reseña mientras escuchas Eye in the Sky de The Alan Parsons Project (Enlace de Spotify, enlace de Youtube).

Muchas de mis novelas favoritas son historias de primer contacto o de artefactos alienígenas: clásicos como Cita con Rama de Arthur C. Clarke o Pórtico de Frederik Pohl y libros más modernos como Pushing Ice de Alastair Reynolds, Médula de Robert Reed o Visión Ciega de Peter Watts. Ahora también tengo que añadirles Existence de David Brin.

Existence es la primera novela de Brin en diez años (en 2002 publicó la también maravillosa Gente de barro). Era uno de los libros que más despertaban mi interés en 2012 y la espera ha merecido la pena. En Existence nos encontramos con muchos de los temas más importantes de la ciencia ficción de los últimos treinta años: realidad virtual, inteligencia artificial, la singularidad, el calentamiento global y, sobre todo, la Paradoja de Fermi. Ah, y delfines inteligentes, por supuesto.

La novela comienza con Gerald, un astronauta cuyo trabajo consiste en recoger basura espacial. En una misión rutinaria, descubre un artefacto alienígena que reacciona a su contacto y le saluda. Esto pone en marcha un montón de sucesos distintos que presenciamos a través de los ojos de una pléyade de protagonistas (humanos y no tanto) con intereses muy diferentes. Cada capítulo está dedicado a uno de estos puntos de vista y algunos de ellos podrían funcionar incluso como historias individuales (de hecho, parece ser que unos cuantos fueron publicados de ese modo), con personajes y subtramas que resultan interesantes por sí mismos. El resultado es un complejo tapiz y una historia extremadamente atractiva que es casi imposible dejar de leer.

Uno de los puntos fuertes de Existence es la excelente ambientación. Por ejemplo, cada capítulo concluye con un artículo ficticio, una noticia o un extracto de un libro que ayuda en gran manera a darle un trasfondo sólido a la historia. Brin también crea docenas de palabras (aissistant, skutr, aixperts, virmersion...) y añade referencias a sucesos pasados (The Big Deal, Awfulday, The Basque Chimera...). Sólo unos pocos de ellos son explicados explícitamente y el lector puede sentirse un poco perdido en los primeros capítulos, pero en realidad todo ello contribuye a dar la sensación de un mundo vivo y dinámico. Brin menciona, además, a un montón de escritores de ciencia ficción (Bear, Benford, Stross, Asimov, Wells... incluso en una ocasión uno de los personajes dice 'Expecto simakus cliffordiam')  y juega con sus ideas, haciendo que Existence sea un libro en claro diálogo con la historia y la evolución del género.

Pero lo que realmente sobresale en esta novela es el número de ideas científicas, filosóficas y sociológicas. El futuro que Brin imagina es, a la vez, creíble, atractivo y terrorífico. Un mundo lleno de maravillas tecnológicas pero también al borde del abismo. Porque Existence es, sobre todo, un libro sobre los cambios. Cambios sociales. Cambios tecnológicos. Cambios en la forma en que nos percibimos y entendemos a nosotros mismos como seres humanos. El artefacto alienígena sólo es una pieza del puzzle de la existencia: nuestro pasado, nuestro futuro y lo que nos aguarda como miembros de una especie inteligente en un universo hostil.

El libro, sin embargo, no es perfecto. El último cuarto de la novela es, en mi opinión, un poco más flojo que el resto (aunque el final es muy satisfactorio) y parece un poco precipitado en partes. Algunos de los capítulos (por ejemplo, los de Hamish Brookeman) podrían haber sido recortados un poco. También, al menos uno de los giros principales de la trama es bastante evidente (se ve venir varios capítulos antes de que uno de los personajes se dé cuenta).

A pesar de estos problemas menores, Existence es, hasta el momento, mi libro de ciencia ficción favorito de 2012 y uno de los mejores de los últimos años. Está lleno de sentido de la maravilla, tiene una ambientación extraordinaria y docenas de ideas sorprendentes. Este es el tipo de novela que me encanta leer y no puedo recomendarla lo suficiente.

(You can also read this review in English/También puedes leer esta reseña en inglés)

Existence by David Brin

(Disclaimer: English is my second language, so I want to apologize in advance for there may be mistakes in the text below. If you find any, please let me know so that I can correct it. I'd really appreciate it. Thanks.)
   
Review Soundtrack: I suggest that you read this review while listening to Eye in the Sky by The Alan Parsons Project (Spotify link, Youtube link).

Many of my favorite novels are first contact or alien artifact stories: classics such as Rendezvous with Rama by Arthur C. Clarke or Gateway by Frederik Pohl and more modern books like Pushing Ice by Alastair Reynolds, Marrow by Robert Reed or Blindsight by Peter Watts. To them, I now have to add Existence by David Brin.

Existence is the first novel by Brin in ten years (in 2002 he published the also wonderful Kiln People). It was one of my highly anticipated books of 2012 and it has been worth the wait. In Existence you will find many of the most important themes in the science fiction of the last thirty years: virtual reality, artificial intelligence, the singularity, global warming, and, above all, the Fermi Paradox. Oh, and intelligent dolphins, of course.

The novel starts with Gerald, an astronaut whose work is collecting space junk. In a routine mission, he discovers an alien artifact that reacts to his touch and greets him. This will set in motion a lot of different events that we witness through the eyes of a pleiad of characters (some human, some not so much) with very different agendas. Each chapter is devoted to one of these points of view and some of them could work perfectly as stand-alone short stories or novelettes (in fact, it seems that some of them were previously published that way), with characters and sub-plots interesting on their own. The result is a complex tapestry and an extremely interesting story that is very difficult to put down.

One of the strongest points of Existence is the excellent worldbuilding. For instance, at the end of each chapter we find a fictional article, piece of news or extract from a book, which really help adding a solid background to the story. Also, Brin creates dozens of new words (aissistant, skutr, aixperts, virmersion...) and adds references to past events (The Big Deal, Awfulday, The Basque Chimera...). Only a few of them are explictly explained and the reader may feel at bit at lost in the first few chapters, but it really gives a feeling of a vivid and dynamical world. Brin also mentions a lot of science fiction authors (Bear, Benford, Stross, Asimov, Wells... once, he even has of one the characters saying 'Expecto simakus cliffordiam') and plays with their ideas, making Existence a book clearly in dialogue with the history and evolution of the genre.  

But what really stands out in this novel is the number of scientific, philosophical and sociological ideas. The future that Brin depicts is, at once, believable, alluring and frightening. A world full of technological wonders but also on the verge of doom. Because Existence is, mainly, a book about changes. Changes in society. Changes in technology. Changes in the way we perceive and understand ourselves as human beings. The alien artifact is only but a piece of the puzzle of existence, of our present, our past and what lays ahead of us as an intelligent species living on a hostile universe.

The book is not without its flaws. The final quarter of the novel is, in my opinion, a bit weaker than the rest (although the ending is very satisfying) and parts of it feel a bit rushed. Some chapters (for example, the ones devoted to Hamish Brookeman) could have used some editing. Also, at least one of the main plot twists is quite evident (I saw it coming several chapters before one of the characters figured it out). 

Despite this minor problems, Existence is, so far, my favorite science fiction book published in 2012 and one of the best of the last few years. It is full of sense of wonder, with top-notch worldbuilding and dozens of cool sfnal ideas. This is the kind of novel that I love to read and I can't recommend it highly enough.

(You can also read this review in Spanish/También puedes leer esta reseña en español)

jueves, 14 de junio de 2012

Ebook gratuito: Vintage '62

Vintage'62: Marilyn y otros monstruos, que contiene historias de Rafael Marín y Rodolfo Martínez, entre otros, se puede descargar gratuitamente de Amazon en estos momentos (Amazon ES, Amazon US). Esta es la descripción del producto:
¿Qué tienen en común Marilyn Monroe, dueña absoluta del corazón de los cinéfilos, y uno de los escritores más descarnados y vigorosos de la narrativa norteamericana del siglo XX, William Faulkner?

¿Qué une a la diosa vestida de blanco y rubia melena, a la tentación que vive arriba, con Herman Hesse y su alter ego Harry Haller?

¿Qué comparten tres novelistas de la talla de William Faulkner, Herman Hesse o Isak Dinesen, con dos directores del cine hollywoodiense como Michael Curtiz y Tod Browning? ¿Y con Niels Bohr, uno de los padres de la bomba atómica, o Charles Laughton, actor grande como pocos, y director de "La noche del cazador"?

Todos estos monstruos comparten una fecha. A todos ellos se les acabó el margen para desarrollar su potencial en 1962. Todos fallecieron hace 50 años. Y todos tienen en común otra cosa. Están aquí, en las páginas de este libro, protagonizando las más angustiosas, disparatadas y extrañas aventuras, embotellados en una única cosecha para que tú, lector, la degustes con calma y la saborees con agrado.

Antonio Calzado: «Viaje a Nuremberg»
Antonio Castro-Guerrero: «Lágrimas en la ducha, pétalos en la corriente»
Alejandro Castroguer: «Mis huesos por una piscina»
Javier Cosnava: «La niña subida a su atalaya»
Mario Escobar: «Marilyn y la invasión de los ladrones de cuerpos»
Rafael Fernández: «El divorciado»
Federico Fernández Giordano: «Ragtime»
Fernando J. López del Oso: «Convocación»
Jorge Magano: «El alcohol y la flecha»
Rafael Marín: «Río sin retorno»
Rodolfo Martínez: «En la mente de Dios»
Antonio Montes: «Ojos de tormenta»

miércoles, 13 de junio de 2012

Ampliados los contenidos del Hugo Voter Packet

Hace unos días se ampliaron los contenidos del Hugo Voter Packer de este año, que inicialmente se había lanzado solamente con las categorías literarias y la de artista profesional. Los miembros de la WorldCon 2012 pueden descargar ya, y hasta el 31 de Julio,  los nominados de todas las categorías (salvo los de Presentación Dramática, que no se han incluido ningún año).

Como pequeñas sorpresas, entre los contenidos se encuentran la antología Brave New Worlds editada por John Joseph Adams (nominado como editor de ficción corta) y números de revistas como Asimov's, Analog, Clarkesworld, Lightspeed o Interzone.

Como veis, no faltan motivos para hacerse Supporting Member de la WorldCon y acceder a este Hugo Voter Packet y, además, poder votar en los Premios Hugo.

martes, 12 de junio de 2012

Bradbury: Fireproof Science Fiction, by Cristina Jurado (and many others)

Last week, Cristina Jurado wrote a wonderful tribute to Ray Bradbury on her Spanish blog Más ficción que ciencia on Libros.com. When I asked her, she kindly agreed to translate her article for this blog:

I was twelve or thirteen years old when I realized that science fiction was a built-in part of my life. That realization came, as all adolescent insights, thanks to a pretty much public humiliation. I needed to design the front page of a newspaper using the existing press as the model with its headlines, its news in columns and its related images. The morning I´m talking about I arrived to school very proud, holding my precious creation.

In my eyes the newspaper that I invented was, literally “out of this world”. Without a question, the design attracted attention because of its originality in form and content. When I saw my fellow students marching before me with their proposals, I started to feel cold sweet down my spine. They all prepared exact reproductions of the main Spanish newspapers. On the other hand, I proposed what I named The Martian Daily in which the international section was filled with news from other galaxies while national information was “reduced” to our solar system. My daily was pushed down the wall, at the back of the class, where all our works were displayed. I came home devastated.

Years later, digging up the guts of some public library, I found a book which I never heard about before. The header, The Martian Chronicles, instantly reminded me of my pathetic incursion into press editing of my school days. The name sounded like the one I once invented and, full of curiosity, I immersed myself into its pages. It was a bizarre book. Not really a novel, it was more a collection of short stories with a common background, making it easy to read as independent pieces.

I could not stop reading. I finished the book seating on the floor, oblivious to the pass of time. Few days later I brought my own copy. Since then, this book has accompanied me wherever I went, surviving me moving around and discovering new places together. The guy who wrote it was Ray Bradbury. He taught me to adopt other points of view. In his stories, the Others –robots, aliens or monsters- have a voice, display their feelings and express their opinions, and human beings cease to be the center of the Universe. He showed me an equally lyric and precise narrative style, full of humor, irony and powerful images, and a variety of speculative themes that transcend the sphere of science fiction. His contribution to popularize those themes helped the genre to get discovered by a broader audience and to gain critical acclaim. 

There are countless amounts of people overcame by sad emotions the past 5th of June, the day that Ray Bradbury left us. I would like to thank all of those that accepted to be part of this article, answering my call in Twitter and Facebook, and sending their answers to me. We asked them to share their favorite book by Bradbury and to reason their choice.

A statement against censorship

Many responded that Fahrenheit 451 was their favorite work from the Bradbury universe. British author Alastair Reynolds (@AquilaRift) said: Fahrenheit 451, just because I read it in school and the central image of firemen burning books is so wonderfully simple. Luis (@lmayorgas) agrees with Reynolds: Although I read “Fahrenheit 451” long time ago, the image of Book-Men had a profound impact on me for a long time. For Anika (@anikalibros), from the web site Anika Entre Libros, it's her favorite book because it's visionary and has a vindictive spirit. I have read it as a traditional book and as a graphic novel. We could not ignore the web site that hosts this blog, Libros.com (@libroscom), that states: It seems interesting the character of Montag, even though his work was to burn books.

@A_pHOBOS highlights from this novel the sensations that provides, at the same level as 1984 or Brave New World. Pedro (@leemaslibros) says: a dystopia where books are burned cannot leave a young reader indifferent. For Javier (@hansard) it is the first dystopia that he read: A universal and unforgettable novel. Knowledge fights fear. The blogger behind @lasletrasmolan admits that he liked the book because makes us think about the power of reading and the eagerness of the powerful class to demonized it to dominate the masses. 

Online magazine La Espada de la Tinta (@EspadaenlaTinta) points at Fahrenheit 451 as their preferred work because it awakens an everlasting love for books. Not only for books, but also for literature. For Germán ‏‪(@germanpv) the novel in itself is an important criticism towards censorship. The creative team of theroomrooms' @theroomrooms highlights the relevant state of its theme, defending culture and education, something that our government is putting at risk.

The always-interactive Otilia (@otiliamartin) likes this work because in a world without books, the idea of each person memorizing one and “becoming” that book fascinates me. Félix (@M4ugan), blogger and podcaster in La biblioteca de Trantor, remarks that the novel is one of the biggest statements in favor of books as a channel for critical thinking. Kanijo (@CienciaKanija), all but small in spreading science, states that this book highlights the importance of literature as an individual and a social right.

Arturo @elprofedefisica points out that this novel combines futurism without the need for spacecrafts. Explores our psyche and shows us our reach. Clarisse @ClarisseIsidoro, whose twitter-name honors one of the characters in Fahrenheit 451, thinks that the book depicts how ideas are enough to change the world. And it is becoming something very necessary. The author of La Marca del Guerrero (@LaMarcaDelGuerr) answers that this book: It´s a classic! You got to have it. Why? Simply because Bradbury´s reason to write it is both fascinating and curious.

Sergio is behind the everlasting outreach work of @ondasolitaria. This is his favorite story by Bradbury: It reflects a certain society that each day is more real. Unfortunately… Juan Manuel, co-founder of the videogame online magazine Nivel Oculto (@Niveloculto), says: I liked Fahrenheit 451, but I remember with love one story of The Illustrated Man called “Kaleidoscope”.

Gavin Rothery, Concept Art Director and Special and Visual Effects Supervisor for the movie Moon (2009) confesses: Got to be Fahrenheit 451. I love the way it's a very personal, small-scale story set in a hugely wide context. Exactly the way to approach these big concepts; to make them relatable by telling a close-in story. So well done. It's not a co-incidence that this is probably his most famous work.

Writer and Director Tim Hole (@Indievolution) says: I would add Fahrenheit 451 to my list of unforgettable Sci-fi endings. It's incredibly poetic. Writer Lucía Etxebarria (@LaEtxebarria) admits that the book is a masterpiece. Director and “story teller” David Galán Galindo (@dggalindo1982) wanted to pay tribute to this novel with La Máscara de Muerte 451: In my case, they burned comic strips, of course. Miquel (@Qdony) adds that, as a metaphor is a very powerful book.

Filmmaker Montxo Armendariz (@montxoarmendar) choses Fahrenheit 451 because, apart from having a brilliant narrative style, it´s an statement against intolerance and a premonition about where society can go if it denies the fundamentals of education: reading and thinking.

Dehumanized chronicles

Science Fiction and Fantasy portal @literfan answered that The Martian Chronicles is their favorite, because of its deep suggestive power. Mexican writer Alberto Chimal (@albertochimal) thinks that this book is the most outstanding title of Bradbury because of the way it encapsulates a whole vision of life in a vision of the future.

Javier @javromara states that The Martian Chronicles captures all the Bradburys, melancholy, poetry, humor, and terror… For Luis Felipe (‏‪@Rokko69_RM) the story “Night meeting” included in the book left a trace on him because it´s about two beings meeting in a place but coming from different time periods. For a strange reason they can see and communicate with one another. I believe that human relationships, the important ones, are somehow similar. One synchronizes for a brief sight with the loved one.

Guillermo (@casiopeaexpres) answers that this story is told from oddness and not from empathy and because some Africans buy a spacecraft. @Antonomasico thinks that it´s a fabulous collection of stories, a pioneer of the genre; full of fantasy, deep thinking and poetry.

Ricardo, one of the directors of the digital magazine miNatura, answers that he liked specially the story “The Musicians” because it shows how a group of children go to play among the destroyed homes of a Martian dead city. There, they find the copses and skulls of the Martian creatures with which they play. Nevertheless, they do it rather quickly because the “firemen” – in connection to Fahrenheit 451- are coming to burn the remains of those ruined Martian cities.

Manuel (@mahernandezg), author of Yo, Virtual (published on demand and available through Kindle), admits that he likes the novel because it was my first Bradbury book and because it tough me that the Martians, in the end, are us.

Canadian biologist and writer Julie Czerneda answers: While there are many Ray Bradbury stories that resonate with me, The Martian Chronicles remains my favorite. It had all the elegance and grace of fantasy, the realism and grit of a main stream literary work, and that wonder that drives the best SF. Bradbury knew what sang to the imagination, and had the words to convey it, every time. He'll be missed.

Astrophysicist and writer Miguel Santander (@migusant) says that The Martian Chronicles is almost poetry in prose. Jesús (@Jesusdelrio66) admits that he liked the book for the shivering of reuniting with your dead father and for the tears of lost opportunities.

Gavin Rothery could not resist the temptation to share with us something about The Martian Chronicles. I know it gets heat but I always loved the TV adaptation of the Martian Chronicles. Apparently Ray B found it boring. It felt really bleak and it really stayed with me as a kid. Proper old-school sci-fi. I saw it as a very young kid on TV and although I couldn't follow the story the images haunted me. Dead towns and gyrocopters.

Pablo (@pbuydid) confesses: I always felt a fascination for The Martian Chronicles. I could never read Fahrenheit 451. Apart from that, I have read (Bradbury´s) short stories for the mix of emotions in his writings. From emotive stories to thrillers. It made me live the Adventure. Sergi (@SergiBellver) declares: I can´t chose between Fahrenheit 451 and The Martian Chronicles because both are masterpieces.

Animated tattoos, time travel and fantasy summers

For Francisco Juarez (@DANZAFRACTAL), his favorite Bradbury book is without a doubt, The Illustrated Man… Wonderful wave of amazing stories without a connection, apart from their beauty and horror…  Writer Mateo Coronado (@mateocoronado) thinks that the collected stories of The Illustrated Man are still relevant because of their deep sense, which is still pertinent. Like the good literature, it knows how to age.

José Antonio (@librosybitios) also selected this book for the variety and quality of the scenarios and plots. Elías (@odo), from the blog Sense of Wonder, points out: The Illustrated Man because of its capacity to suggest images with each story.

Many of those who respond to our call could not chose only one book by Bradbury. Writer and journalist José Luis Merino, author of the blog Ladrones de Fuego on El País, tells us: I bought five books by Bradbury many years ago, because they have short stories –it was a time when short stories were in fashion- (…) published by Minotauro-Edhasa (…) I don't remember how many I read. [Bradbury] was maybe the first to insist to “walk in space”.

The blog Literatúrame (@literaturamenet) remembers indispensable classics like The Martian Chronicles and Fahrenheit 451 as well as the Halloweenian long story and the tales from The Illustrated Man. All good!

Spanish filmmaker Alex de la Iglesia (@AlexdelaIglesia) states that the best of Bradbury can be experienced in the tale Tyrannosaurus Rex, from the collection The Machineries of Joy.  Writer Juan Gómez-Jurado (‏‪@JuanGomezJurado) likes The October Country because it stroke me its row depth. Jean (‏‪@jean_mallart) says that another title is S is for Space, a bit like The Illustrated Man but superior and strangely unknown.

Alberto (@Moguei) answers: my preferred title by Bradbury is “The Sound of Thunder”, a transcendent story for future works about time traveling. The atmosphere, the careful starting point and the shocking end have clearly contributed to the science fiction genre. This short story is included in the anthology The Golden Apples of the Sun.

@TAKHISISEAM has chosen “The Sound of Thunder”: I love the implications of time traveling to the past and how it can alter the future. Salvador (@sbautlo) agrees and adds: I like the cliché of time traveling in science fiction.

Writer Amy Thomson reveals to us that her favorite Bradbury book is Dandelion Wine. In part because it's so beautifully written. I started reading SF with the ABC's: Asimov, Bradbury, and Clarke. Bradbury taught me to love a beautiful prose style at an age when most kids were barely out of chapter books. I devoured his short story collections, and they left a deep imprint on my taste in reading. But Dandelion Wine stood out as a perfect evocation of a childhood summer.

Gregorio Belinchón (@gbelinchon), cinema critic for El País, has also chosen Dandelion Wine: because I also spend some weird summers in my childhood, although no like this blend of fantasy and reality.

Maria (@mselke01) confesses that my favorite #RayBradbury is the illustrated version of "Homecoming". Though I also love the full From The Dust Returned. I love the strange family with their oddly normal child, and how it shows the common theme of longing to fit in.

Luis (@addkerberos), one of the thinking heads behind online mag milinviernos, describes A medicine for melancholy as a collection of stories different from The Martian Chronicle’s –which I also love. Even though belongs to the universe of The Chronicles, it does not try to have a common theme: the stories are more independent.

British writer China Miéville has participated unexpectedly in this humble tribute to Bradbury through an e-mail. In his own words: the key text for me is a short story called 'The Man Upstairs', because of its unremittingly macabre imagery, camouflaged by his usual charming tone, and the image that he presents at the end. It's an extraordinary work.

The blog finally snapped out of lethargy. But it does not speak. I see it surrounded by an ocean of bits. Looks like virtual creatures don't cry. They express sadness dropping shreds of information. No doubt that Bradbury’s departure saddens the blog more than it admits.

I want to dedicate this post to @RCardonet, who has also leave us. I don’t believe in paradise o reincarnation but I trust the power of imagination. That is why I want to think that he is sharing a spacecraft ride with Bradbury heading towards Kuiper's asteroid belt and winning at Scrabble. We already miss you two.

About Cristina Jurado: 

Cristina Jurado Marcos writes the sci-fi blog Más ficción que ciencia on Libros.com. Having a degree in Advertising and Public Relations by Universidad de Seville and a Masters in Rhetoric by Northwestern University (USA), she currently studies Philosophy for fun. She considers herself a globetrotter after living in Edinburgh, Chicago, Paris or Dubai. Her short stories have appeared in several sci-fi online magazines and anthologies. Her first novel From Orange to Blue will be published in Spring 2012.