Hace unos momentos se han anunciado los finalistas de los Premios Hugo 2018 y de los RetroHugo 1943. Son los siguientes:
Best Novel
- The Collapsing Empire, by John Scalzi (Tor)
- New York 2140, by Kim Stanley Robinson (Orbit)
- Provenance, by Ann Leckie (Orbit)
- Raven Stratagem, by Yoon Ha Lee (Solaris)
- Six Wakes, by Mur Lafferty (Orbit)
- The Stone Sky, by N.K. Jemisin (Orbit)
Best Novella
- All Systems Red, by Martha Wells (Tor.com Publishing)
- “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
- Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
- The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
- Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
- River of Teeth, by Sarah Gailey (Tor.com Publishing)
Best Novelette
- “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
- “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
- “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
- “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
- “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
- “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)
Best Short Story
- “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
- “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
- “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
- “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
- “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
- “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)
Best Related Work
- Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
- Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
- A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
- Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
- No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
- Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)
Best Graphic Story
- Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
- Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
- Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
- My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
- Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
- Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)
Best Dramatic Presentation – Long Form
- Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
- Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
- The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
- Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
- Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
- Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)
Best Dramatic Presentation – Short Form
- Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
- “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
- Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
- The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
- The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
- Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)
Best Editor – Short Form
- John Joseph Adams
- Neil Clarke
- Lee Harris
- Jonathan Strahan
- Lynne M. Thomas & Michael Damian Thomas
- Sheila Williams
Best Editor – Long Form
- Sheila E. Gilbert
- Joe Monti
- Diana M. Pho
- Devi Pillai
- Miriam Weinberg
- Navah Wolfe
Best Professional Artist
- Galen Dara
- Kathleen Jennings
- Bastien Lecouffe Deharme
- Victo Ngai
- John Picacio
- Sana Takeda
Best Semiprozine
- Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
- The Book Smugglers, edited by Ana Grilo and Thea James
- Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
- Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
- Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
- Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky
Best Fanzine
- File 770, edited by Mike Glyer
- Galactic Journey, edited by Gideon Marcus
- Journey Planet, edited by Team Journey Planet
- nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
- Rocket Stack Rank, edited by Greg Hullender and Eric Wong
- SF Bluestocking, edited by Bridget McKinney
Best Fancast
- The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
- Ditch Diggers, presented by Mur Lafferty and Matt Wallace
- Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
- Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
- Sword and Laser, presented by Veronica Belmont and Tom Merritt
- Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts
Best Fan Writer
- Camestros Felapton
- Sarah Gailey
- Mike Glyer
- Foz Meadows
- Charles Payseur
- Bogi Takács
Best Fan Artist
- Geneva Benton
- Grace P. Fong
- Maya Hahto
- Likhain (M. Sereno)
- Spring Schoenhuth
- Steve Stiles
Best Series
- The Books of the Raksura, by Martha Wells (Night Shade)
- The Divine Cities, by Robert Jackson Bennett (Broadway)
- InCryptid, by Seanan McGuire (DAW)
- The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
- The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
- World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)
2018 Associated Awards (not Hugos)
John W. Campbell Award for Best New Writer
- Katherine Arden
- Sarah Kuhn
- Jeannette Ng
- Vina Jie-Min Prasad
- Rebecca Roanhorse
- Rivers Solomon
The World Science Fiction Society (WSFS) Award for Best Young Adult Book
- Akata Warrior, by Nnedi Okorafor (Viking)
- The Art of Starving, by Sam J. Miller (HarperTeen)
- The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
- In Other Lands, by Sarah Rees Brennan (Big Mouth House)
- A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
- Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)
1943 Retrospective Hugo Awards Finalists
Best Fan Writer
- Forrest J Ackerman
- Jack Speer
- Arthur Wilson “Bob” Tucker
- Harry Warner, Jr.
- Art Widner
- Donald A. Wollheim
Best Fanzine
- Futurian War Digest, edited by J. Michael Rosenblum
- Inspiration, edited by Lynn Bridges
- The Phantagraph, edited by Donald A. Wollheim
- Spaceways, edited by Harry Warner, Jr.
- Voice of the Imagi-Nation, edited by Forrest J Ackerman and Morojo
- Le Zombie, edited by Arthur Wilson “Bob” Tucker
Best Professional Artist
- Hannes Bok
- Margaret Brundage
- Edd Cartier
- Virgil Finlay
- Harold W. McCauley
- Hubert Rogers
Best Editor – Short Form
- John W. Campbell
- Oscar J. Friend
- Dorothy McIlwraith
- Raymond A. Palmer
- Malcolm Reiss
- Donald A. Wollheim
Best Dramatic Presentation – Short Form
- Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney
Productions) - Cat People, written by DeWitt Bodeen, directed by Jacques Tourneur (RKO Radio Pictures, Inc.)
- The Ghost of Frankenstein, written by W. Scott Darling, directed by Erle C. Kenton (Universal Pictures)
- I Married a Witch, written by Robert Pirosh and Marc Connelly, directed by René Clair (Cinema Guild
Productions / Paramount Pictures) - Invisible Agent, written by Curtis Siodmak, directed by Edwin L. Marin (Frank Lloyd Productions /
Universal Pictures) - Rudyard Kipling’s Jungle Book, written by Laurence Stallings, directed by Zoltan Korda (Alexander Korda
Films, Inc. / United Artists)
Best Short Story
- “Etaoin Shrdlu,” by Fredric Brown (Unknown Worlds, February 1942)
- “Mimic,” by Martin Pearson (Donald A. Wollheim) (Astonishing Stories, December 1942)
- “Proof,” by Hal Clement (Astounding Science Fiction, June 1942)
- “Runaround,” by Isaac Asimov (Astounding Science Fiction, March 1942)
- “The Sunken Land,” by Fritz Leiber (Unknown Worlds, February 1942)
- “The Twonky,” by C.L. Moore and Henry Kuttner (Astounding Science Fiction, September 1942)
Best Novelette
- “Bridle and Saddle,” by Isaac Asimov (Astounding Science Fiction, June 1942)
- “Foundation,” by Isaac Asimov (Astounding Science Fiction, May 1942)
- “Goldfish Bowl,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, March 1942)
- “The Star Mouse,” by Fredric Brown (Planet Stories, Spring 1942)
- “There Shall Be Darkness,” by C.L. Moore (Astounding Science Fiction, February 1942)
- “The Weapon Shop,” by A.E. van Vogt (Astounding Science Fiction, December 1942)
Best Novella
- “Asylum,” by A.E. van Vogt (Astounding Science Fiction, May 1942)
- “The Compleat Werewolf,” by Anthony Boucher (Unknown Worlds, April 1942)
- “Hell is Forever,” by Alfred Bester (Unknown Worlds, August 1942)
- “Nerves,” by Lester del Rey (Astounding Science Fiction, September 1942)
- “The Unpleasant Profession of Jonathan Hoag,” by John Riverside (Robert A. Heinlein) (Unknown
Worlds, October 1942) - “Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, August 1942)
Best Novel
- Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, April & May
1942) - Darkness and the Light, by Olaf Stapledon (Methuen / S.J.R. Saunders)
- Donovan’s Brain, by Curt Siodmak (Black Mask, September-November 1942)
- Islandia, by Austin Tappan Wright (Farrar & Rinehart)
- Second Stage Lensmen, by E. E. “Doc” Smith (Astounding Science Fiction, November 1941 to February
1942) - The Uninvited, by Dorothy Macardle (Doubleday, Doran / S.J.R. Saunders)
