Mostrando entradas con la etiqueta Ray Bradbury. Mostrar todas las entradas
Mostrando entradas con la etiqueta Ray Bradbury. Mostrar todas las entradas

viernes, 15 de diciembre de 2017

Novedad: Shadow Show, cuentos en homenaje a Ray Bradbury

Kelonia pone hoy a la venta Shadow Show: Cuentos en homenaje a Ray Bradbury, una antología que incluye relatos de autores como Neil Gaiman, Margaret Atwood, Don Chaon o Audrey Niffenegger. 

El libro tiene 464 páginas y un precio de venta de 22,95€. Estos son sus contenidos y sinopsis:
Shadow Show es una recopilación de cuentos que autores de primer nivel, editados por Mort Castle y Sam Weller, que escribieron en los últimos años de vida del genial Ray Bradbury para homenajear a este escritor cuyos logros en la ciencia ficción, fantasía, misterio y terror son legendarios. 

Con introducción del propio Bradbury, se le unen escritores como Neil Gaiman, Joe Hill y Margaret Atwood entre otros. 

Fue, además, la ganadora del premio Bram Stoker 2012 a la mejor antología. 

CONTENIDO 

Introducción, Sam Weller y Mort Castle (Traduce: Tania García Ayala)
Un segundo regreso al hogar, Ray Bradbury (Traduce: Ana Barreiro y Andrés Lomeña)
El hombre que olvidó a Ray Bradbury, Neil Gaiman (Traduce: J.E. Álamo)
De cabeza, Margaret Atwood (Traduce: María Jesús Sánchez Raya)
Rufián, Jay Bonansinga (Traduce: Andrea Carrión)
La chica del velatorio, Sam Weller (Traduce: Diego Morales)
Los acompañantes, David Morrell (Traduce: Antonio Rivas)
El intercambio, Thomas F. Monteleone (Traduce: Sara Balaguer)
Un gato sobre un sofá feo, Lee Martin (Traduce: Andrea Carrión)
Junto a las aguas plateadas del Lago Champlain, Joe Hill (Traduce: Javier Martos)
Pequeña América, Dan Chaon (Traduce: Tania García Ayala)
La llamada telefónica, John McNally (Traduce: Sara Balaguer)
Jóvenes peregrinos, Joe Meno (Traduce: Tania García Ayala)
Los niños de la máquina para dormir, Robert McCammon (Traduce: Manuel de los Reyes)
La página, Ramsey Campbell (Traduce: Tania García Ayala)
Luz, Mort Castle (Traduce: Sergio Mars)
Conjuro, Alice Hoffman (Traduce: Marinela Pérez)
Max, John Maclay (Traduce: Marinela Pérez)
Pareja de Jacks, Jacquelyn Mitchard (Traduce: Sara Balaguer)
El gordo y el niño, Gary A. Braunbeck (Traduce: Tamara Morales)
El tatuaje, Bonnie Jo Campbell (Traduce: Marinela Pérez)
Sevilla se aleja, Audrey Niffenegger (Traduce: María Jesús Sánchez Raya)
La Tierra (una tienda de regalos), Charles Yu (Traduce: Virginia Pérez de la Puente)
El padre de Hayleigh, Julia Keller (Traduce: Pilar Ramírez Tello)
¿Quién llama?, Dave Eggers (Traduce: Andrés Lomeña y Ana Barreiro)
Reserva 2020, Baya Ojikutu (Traduce: Tamara Morales)
Las dos casas, Kelly Link (Traduce: Tamara Morales)
Hastío, Harlan Ellison® (Traduce: Natalia Cervera)

domingo, 18 de junio de 2017

Crowdfunding para traducir Shadow Show, la antología de homenaje a Ray Bradbury

La editorial Kelonia ha lanzado una campaña de crowdfunding para la traducción y publicación de la antología de homenaje a Ray Bradbury Shadow Show. El libro cuenta con relatos de autores como Neil Gaiman, Margaret Atwood, Joe Hill o Audrey Niffenegger y entre los traductores se encontrarían nombres tan conocidos como Manuel de los Reyes, Natalia Cervera, Pilar Ramírez Tello o Sergio Mars. 

Estos son todos los relatos con sus traductores:
Sam Weller and Mort Castle. Introduction. Traduce: Tania Garcia Ayala.

Ray Bradbury. A Second Homecoming. Traduce: Ana Barreiro.
Neil Gaiman. The Man Who Forgot Ray Bradbuy. Traduce: J.E. Álamo.
Margaret Atwood. Headlife. Traduce: Mj Sánchez.
Jay Bonansinga. Heavy. Traduce: Andrea Carrión.
Sam Weller. The Girl In The Funeral Parlor. Traduce: Diego Morales.
David Morrell. The Companions. Traduce: Antonio Rivas "Gorinkai".
Thomas F. Monteleone. The Exchange. Traduce: Sara Balaguer.
Lee Martin). Cat on a Bad Couch. Traduce: Andrea Carrión.
Joe Hill. By The Silver Water of Lake Champlain. Traduce: Javier Martos.
Dan Chaon. Little America. Traduce: Alba Fierro.
John McNally. The Phone Call. Traduce: Alba Fierro.
Joe Meno. Young Pilgrims. Traduce: Tania García Ayala.
Robert McCammon. Children Of The Bedtime Machine. Traduce: Manuel de los Reyes.
Ramsey Campbell. The Page. Traduce: Tania García Ayala.
Mort Castle. Light. Traduce: Sergio Mars.
Alice Hoffman. Conjure. Traduce: Marinela Pérez.
John Maclay. Max. Traduce: Marinela Pérez.
Jacquelyn Mitchard. Two Of A Kind. Traduce: Sara Balaguer.
Gary Braunbeck. Fat Man And Little Boy. Traduce: Tamara Morales.
Bonnie Jo Campbel. The Tattoo. Traduce: Marinela Pérez.
Audrey Niffenegger. Backwards In Seville. Traduce: Mj Sánchez.
Charles Yu. Earth (A Gift Shop). Traduce: Virginia Pérez de la Puente.
Julia Keller. Hayleigh’s Dad. Traduce: Pilar Ramírez Tello.
Dave Eggers. Who Knocks?. Traduce: Andrés Lomeña.
Bayo Ojikutu. Reservation 2020. Traduce: Tamara Morales.
Kelly Link. Two Houses. Traduce: Tamara Morales.
Harlan Ellison®. Weariness. Traduce: Natalia Cervera.
Las recompensas de la campaña, que tiene como objetivo recaudar 4000€, incluyen la edición digital y en papel de la antología así como otros libros de la editorial Kelonia y postales realizadas por Barb Hernández. Se puede colaborar desde los 5€. La campaña está abierta hasta principios de julio y podéis encontrar más información en la página web de Verkami.

martes, 5 de abril de 2016

Ebooks en oferta: Fahrenheit 451 y Solaris

Durante el día de hoy se pueden adquirir en oferta y en formato digital dos novelas clásicas de la ciencia ficción: Fahrenheit 451, de Ray Bradbury, y Solaris, de Stanislaw Lem. A continuación, las sinopsis y los enlaces a las tiendas donde están de oferta:

Fahrenheit 451 (Amazon ES - 0,94€)
Fahrenheit 451: la temperatura a la que el papel se enciende y arde. Guy Montag es un bombero y el trabajo de un bombero es quemar libros, que están prohibidos porque son causa de discordia y sufrimiento. 
El Sabueso Mecánico del Departamento de Incendios, armado con una letal inyección hipodérmica, escoltado por helicópteros, está preparado para rastrear a los disidentes que aún conservan y leen libros. Como 1984, de George Orwell, como Un mundo feliz, de Aldous Huxley, Fahrenheit 451 describe una civilización occidental esclavizada por los medios, los tranquilizantes y el conformismo. 
La visión de Bradbury es asombrosamente profética: pantallas de televisión que ocupan paredes y exhiben folletines interactivos; avenidas donde los coches corren a 150 kilómetros por hora persiguiendo a peatones; una población que no escucha otra cosa que una insípida corriente de música y noticias transmitidas por unos diminutos auriculares insertados en las orejas.


Solaris (Amazon - 0,94€; Casa del Libro - 0,94€; Kobo - 0,94€)
Impedimenta se complace en presentar, por primera vez en traducción directa del polaco, Solaris, la mítica novela que consagró a Stanisław Lem como autor de culto. Un texto hoy en día considerado un clásico sin paliativos de la literatura moderna. 
Kris Kelvin acaba de llegar a Solaris. Su misión es esclarecer los problemas de conducta de los tres tripulantes de la única estación de observación situada en el planeta. Solaris es un lugar peculiar: no existe la tierra firme, únicamente un extenso océano dotado de vida y presumiblemente, de inteligencia. Mientras tanto, se encuentra con la aparición de personas que no deberían estar allí. Tal es el caso de su mujer —quien se había suicidado años antes—, y que parece no recordar nada de lo sucedido. Stanislaw Lem nos presenta una novela claustrofóbica, en la que hace un profundo estudio de la psicología humana y las relaciones afectivas a través de un planeta que enfrenta a los habitantes de la estación a sus miedos más íntimos.

sábado, 30 de enero de 2016

Ebook en oferta: Crónicas marcianas, de Ray Bradbury

Durante el día de hoy se puede adquirir en varias tiendas online (Amazon ES, Kobo, Google Play) el ebook Crónicas marcianas, de Ray Bradbury, al precio promocional de 1,42€. 

Ésta es su sinopsis:
Esta colección de relatos recoge la crónica de la colonización de Marte por parte de una humanidad que huye de un mundo al borde de la destrucción. Los colonos llevan consigo sus deseos más íntimos y el sueño de reproducir en el Planeta Rojo una civilización de perritos calientes, cómodos sofás y limonada en el porche al atardecer. Pero su equipaje incluye también los miedos ancestrales, que se traducen en odio a lo diferente, y las enfermedades que diezmarán a los marcianos. Conforme a su concepción de lo que debe ser la ciencia ficción, Bradbury se traslada al futuro para iluminar el presente y explorar la naturaleza humana. Escritas en la década de los cuarenta, estas deslumbrantes e intensas historias constituyen un canto contra el racismo, la guerra y la censura, destilando nostalgia e idealismo. Ray Bradbury se consolidó como escritor con esta obra, ahora un clásico de las letras norteamericanas, con su estilo rico, inmediato y conmovedor, que le ha valido el apelativo de poeta de la ciencia ficción

martes, 7 de abril de 2015

Novedad: Siempre nos quedará París, de Ray Bradbury

La editorial Minotauro pone hoy a la venta Siempre nos quedará París, una colección de relatos inéditos de Ray Bradbury. El libro tiene 224 páginas y cuesta 18,90€ en versión impresa y 7,59€ en formato digital.

Ésta es su sinopsis:

En Siempre nos quedará París, una colección de veintiún relatos y un poema nunca antes publicados, el inimitable Ray Bradbury logra de nuevo lo que pocos escritores han hecho tan bien: nos deleita con una prosa que sorprende e inspira, a la vez que revela verdades y da pie a pensamientos profundos. Sus relatos nos emocionan en su reflexión acerca de las flaquezas y debilidades humanas, y lo hacen con la magia de siempre. Ya sea explorando las innumerables maneras de renacer, las circunstancias que pueden convertir a un hombre en un asesino, o llevándonos de nuevo a Marte, Bradbury nos abre su mundo. Un mundo que nos absorbe y nos conmueve.

viernes, 2 de mayo de 2014

Ebook en oferta: Becoming Ray Bradbury, de Jonathan R. Eller

Y otro libro de ensayo de University of Illinois Press en oferta, además de los de la serie Modern Masters of Science Fiction: Becoming Ray Bradbury, de Jonathan R. Eller. Se puede adquirir en formato digital en Amazon por 2,23€ o en Kobo por 2,66€ (precio que se puede rebajar con el uso de cupones). 

Ésta es la sinopsis del libro:
Becoming Ray Bradbury chronicles the making of an iconic American writer by exploring Ray Bradbury's childhood and early years of his long life in fiction, film, television, radio, and theater. Jonathan R. Eller measures the impact of the authors, artists, illustrators, and filmmakers who stimulated Bradbury's imagination throughout his first three decades. Unprecedented access to Bradbury's personal papers and other private collections provides insight into his emerging talent through his unpublished correspondence, his rare but often insightful notes on writing, and his interactions with those who mentored him during those early years. 
Beginning with his childhood in Waukegan, Illinois, and Los Angeles, this biography follows Bradbury's development from avid reader to maturing author, making a living writing for the genre pulps and mainstream magazines. Eller illuminates the sources of Bradbury's growing interest in the human mind, the human condition, and the ambiguities of life and death--themes that became increasingly apparent in his early fiction. Bradbury's correspondence documents his frustrating encounters with the major trade publishing houses and his earliest unpublished reflections on the nature of authorship. Eller traces the sources of Bradbury's very conscious decisions, following the sudden success of The Martian Chronicles and The Illustrated Man, to voice controversial political statements in his fiction. Eller also elucidates the complex creative motivations that yielded Fahrenheit 451. 
Becoming Ray Bradbury reveals Bradbury's emotional world as it matured through his explorations of cinema and art, his interactions with agents and editors, his reading discoveries, and the invaluable reading suggestions of older writers. These largely unexplored elements of his life pave the way to a deeper understanding of his more public achievements, providing a biography of the mind, the story of Bradbury's self-education and the emerging sense of authorship at the heart of his boundless creativity. 

lunes, 24 de diciembre de 2012

Dejad que los niños se acerquen a... la ciencia ficción

Banda sonora del artículo: Recomiendo leer esta entrada escuchando la canción Comando G de Parchís (Spotify, Youtube)

Hace unas semanas me encontraba ejerciendo mis labores de padre en un complejo de juegos infantiles cuando mi sentido arácnido se puso a zumbar como loco. ¿Podía ser verdad lo que creía haber visto por el rabillo del ojo? ¡Sí! Decorando una de las paredes del recinto se encontraba un mural titulado "Soñadores... Viajaron con la imaginación" en el que los protagonistas eran nada más y nada menos que Julio Verne, H.G. Wells, Arthur Conan Doyle, Ray Bradbury, Isaac Asimov y Arthur C. Clarke a lomos (nunca mejor dicho) de libros gigantes con los títulos de algunas de sus obras más características (podéis ver una foto, de no muy buena calidad ya que sólo disponía de un dispositivo móvil para hacerla, bajo estas líneas).


Desconozco quién es el autor de este póster y a quién se debe la iniciativa de usarlo como decoración, pero no puedo más que celebrar su idea: ¡que los niños, desde su más tierna infancia, vayan conociendo a algunos de los grandes clásicos de la literatura de ciencia ficción! Eso sí, yo quizá hubiera sustituido a Conan Doyle, a quien sólo se puede incluir en el género con un pequeño esfuerzo, por Robert A. Heinlein (aunque no sé cuáles podrían ser las consecuencias de obras como Forastero en tierra extraña en las tiernas mentes infantiles).
 

Los textos que acompañaban a los dibujos de los autores estaban, también, bastante bien escogidos y los reproduzco a continuación porque sospecho que en las fotos se adivinan más que se leen:

H.G. Wells (Bramley 1886) 

  • Libro: La máquina del tiempo
Novelista, sociólogo, historiador y científico inglés. Perteneciente a la baja burguesía, trató de hacerla receptora de sus ideas, vertidas en una extensa producción literaria. 

Arthur Conan Doyle (Edimburgo 1859)

  • Libro: El mundo perdido
Médico, novelista y escritor de novelas policíacas, creador del inolvidable maestro de detectives Sherlock Holmes. Su obra contiene novelas de anticipación e históricas y relatos de otros géneros como el terror.  

Arthur C. Clarke (Minehead 1917)

  • Libro: 2001, una odisea del espacio

    Escritor inglés de ciencia ficción. Sus primeros relatos aparecieron a finales de los años cuarenta y posteriormente escribió varias novelas cuyo tema central era el progreso tecnológico. Fue el primero en proponer la utlización de satélites espaciales para la comunicación humana.
     

Julio Verne (Nantes 1828; pone, erróneamente, 1928)

  • Libro: Viaje al centro de la tierra

    Novelista y dramaturgo francés. Sus características novelas de aventuras y anticipación han hecho de él uno de los autores más leídos y traducidos del mundo entero.

    Se le considera el precursor de la literatura de ciencia ficción.


Ray Bradbury (Waukegan 1920)

  • Libro: Crónicas marcianas
Escritor norteamericano, fue uno de los primeros autores de ciencia ficción que publicó fuera de las revistas especializadas.
Su preocupación profunda por el futuro de una humanidad dependiente de las máquinas es uno de los temas que se pueden ver frecuentemente en sus relatos. 

Isaac Asimov (Petrovuch 1920)

  • Libro: Fundación

Escritor norteamericano de orgien ruso. Profesor de bioquímica en la Universidad de Boston. 

Publicó estudios científicos y obras de divulgación pero fue conocido principalmente por sus relatos de ciencia ficción.

Por si todo esto fuera poco, al poco rato de descubrir este cartel, por la megafonía del recinto comenzó a sonar la canción de Comando G, una de mis series preferidas en la infancia. ¡Eso es saber mimar a los niños!

martes, 12 de junio de 2012

Bradbury: Fireproof Science Fiction, by Cristina Jurado (and many others)

Last week, Cristina Jurado wrote a wonderful tribute to Ray Bradbury on her Spanish blog Más ficción que ciencia on Libros.com. When I asked her, she kindly agreed to translate her article for this blog:

I was twelve or thirteen years old when I realized that science fiction was a built-in part of my life. That realization came, as all adolescent insights, thanks to a pretty much public humiliation. I needed to design the front page of a newspaper using the existing press as the model with its headlines, its news in columns and its related images. The morning I´m talking about I arrived to school very proud, holding my precious creation.

In my eyes the newspaper that I invented was, literally “out of this world”. Without a question, the design attracted attention because of its originality in form and content. When I saw my fellow students marching before me with their proposals, I started to feel cold sweet down my spine. They all prepared exact reproductions of the main Spanish newspapers. On the other hand, I proposed what I named The Martian Daily in which the international section was filled with news from other galaxies while national information was “reduced” to our solar system. My daily was pushed down the wall, at the back of the class, where all our works were displayed. I came home devastated.

Years later, digging up the guts of some public library, I found a book which I never heard about before. The header, The Martian Chronicles, instantly reminded me of my pathetic incursion into press editing of my school days. The name sounded like the one I once invented and, full of curiosity, I immersed myself into its pages. It was a bizarre book. Not really a novel, it was more a collection of short stories with a common background, making it easy to read as independent pieces.

I could not stop reading. I finished the book seating on the floor, oblivious to the pass of time. Few days later I brought my own copy. Since then, this book has accompanied me wherever I went, surviving me moving around and discovering new places together. The guy who wrote it was Ray Bradbury. He taught me to adopt other points of view. In his stories, the Others –robots, aliens or monsters- have a voice, display their feelings and express their opinions, and human beings cease to be the center of the Universe. He showed me an equally lyric and precise narrative style, full of humor, irony and powerful images, and a variety of speculative themes that transcend the sphere of science fiction. His contribution to popularize those themes helped the genre to get discovered by a broader audience and to gain critical acclaim. 

There are countless amounts of people overcame by sad emotions the past 5th of June, the day that Ray Bradbury left us. I would like to thank all of those that accepted to be part of this article, answering my call in Twitter and Facebook, and sending their answers to me. We asked them to share their favorite book by Bradbury and to reason their choice.

A statement against censorship

Many responded that Fahrenheit 451 was their favorite work from the Bradbury universe. British author Alastair Reynolds (@AquilaRift) said: Fahrenheit 451, just because I read it in school and the central image of firemen burning books is so wonderfully simple. Luis (@lmayorgas) agrees with Reynolds: Although I read “Fahrenheit 451” long time ago, the image of Book-Men had a profound impact on me for a long time. For Anika (@anikalibros), from the web site Anika Entre Libros, it's her favorite book because it's visionary and has a vindictive spirit. I have read it as a traditional book and as a graphic novel. We could not ignore the web site that hosts this blog, Libros.com (@libroscom), that states: It seems interesting the character of Montag, even though his work was to burn books.

@A_pHOBOS highlights from this novel the sensations that provides, at the same level as 1984 or Brave New World. Pedro (@leemaslibros) says: a dystopia where books are burned cannot leave a young reader indifferent. For Javier (@hansard) it is the first dystopia that he read: A universal and unforgettable novel. Knowledge fights fear. The blogger behind @lasletrasmolan admits that he liked the book because makes us think about the power of reading and the eagerness of the powerful class to demonized it to dominate the masses. 

Online magazine La Espada de la Tinta (@EspadaenlaTinta) points at Fahrenheit 451 as their preferred work because it awakens an everlasting love for books. Not only for books, but also for literature. For Germán ‏‪(@germanpv) the novel in itself is an important criticism towards censorship. The creative team of theroomrooms' @theroomrooms highlights the relevant state of its theme, defending culture and education, something that our government is putting at risk.

The always-interactive Otilia (@otiliamartin) likes this work because in a world without books, the idea of each person memorizing one and “becoming” that book fascinates me. Félix (@M4ugan), blogger and podcaster in La biblioteca de Trantor, remarks that the novel is one of the biggest statements in favor of books as a channel for critical thinking. Kanijo (@CienciaKanija), all but small in spreading science, states that this book highlights the importance of literature as an individual and a social right.

Arturo @elprofedefisica points out that this novel combines futurism without the need for spacecrafts. Explores our psyche and shows us our reach. Clarisse @ClarisseIsidoro, whose twitter-name honors one of the characters in Fahrenheit 451, thinks that the book depicts how ideas are enough to change the world. And it is becoming something very necessary. The author of La Marca del Guerrero (@LaMarcaDelGuerr) answers that this book: It´s a classic! You got to have it. Why? Simply because Bradbury´s reason to write it is both fascinating and curious.

Sergio is behind the everlasting outreach work of @ondasolitaria. This is his favorite story by Bradbury: It reflects a certain society that each day is more real. Unfortunately… Juan Manuel, co-founder of the videogame online magazine Nivel Oculto (@Niveloculto), says: I liked Fahrenheit 451, but I remember with love one story of The Illustrated Man called “Kaleidoscope”.

Gavin Rothery, Concept Art Director and Special and Visual Effects Supervisor for the movie Moon (2009) confesses: Got to be Fahrenheit 451. I love the way it's a very personal, small-scale story set in a hugely wide context. Exactly the way to approach these big concepts; to make them relatable by telling a close-in story. So well done. It's not a co-incidence that this is probably his most famous work.

Writer and Director Tim Hole (@Indievolution) says: I would add Fahrenheit 451 to my list of unforgettable Sci-fi endings. It's incredibly poetic. Writer Lucía Etxebarria (@LaEtxebarria) admits that the book is a masterpiece. Director and “story teller” David Galán Galindo (@dggalindo1982) wanted to pay tribute to this novel with La Máscara de Muerte 451: In my case, they burned comic strips, of course. Miquel (@Qdony) adds that, as a metaphor is a very powerful book.

Filmmaker Montxo Armendariz (@montxoarmendar) choses Fahrenheit 451 because, apart from having a brilliant narrative style, it´s an statement against intolerance and a premonition about where society can go if it denies the fundamentals of education: reading and thinking.

Dehumanized chronicles

Science Fiction and Fantasy portal @literfan answered that The Martian Chronicles is their favorite, because of its deep suggestive power. Mexican writer Alberto Chimal (@albertochimal) thinks that this book is the most outstanding title of Bradbury because of the way it encapsulates a whole vision of life in a vision of the future.

Javier @javromara states that The Martian Chronicles captures all the Bradburys, melancholy, poetry, humor, and terror… For Luis Felipe (‏‪@Rokko69_RM) the story “Night meeting” included in the book left a trace on him because it´s about two beings meeting in a place but coming from different time periods. For a strange reason they can see and communicate with one another. I believe that human relationships, the important ones, are somehow similar. One synchronizes for a brief sight with the loved one.

Guillermo (@casiopeaexpres) answers that this story is told from oddness and not from empathy and because some Africans buy a spacecraft. @Antonomasico thinks that it´s a fabulous collection of stories, a pioneer of the genre; full of fantasy, deep thinking and poetry.

Ricardo, one of the directors of the digital magazine miNatura, answers that he liked specially the story “The Musicians” because it shows how a group of children go to play among the destroyed homes of a Martian dead city. There, they find the copses and skulls of the Martian creatures with which they play. Nevertheless, they do it rather quickly because the “firemen” – in connection to Fahrenheit 451- are coming to burn the remains of those ruined Martian cities.

Manuel (@mahernandezg), author of Yo, Virtual (published on demand and available through Kindle), admits that he likes the novel because it was my first Bradbury book and because it tough me that the Martians, in the end, are us.

Canadian biologist and writer Julie Czerneda answers: While there are many Ray Bradbury stories that resonate with me, The Martian Chronicles remains my favorite. It had all the elegance and grace of fantasy, the realism and grit of a main stream literary work, and that wonder that drives the best SF. Bradbury knew what sang to the imagination, and had the words to convey it, every time. He'll be missed.

Astrophysicist and writer Miguel Santander (@migusant) says that The Martian Chronicles is almost poetry in prose. Jesús (@Jesusdelrio66) admits that he liked the book for the shivering of reuniting with your dead father and for the tears of lost opportunities.

Gavin Rothery could not resist the temptation to share with us something about The Martian Chronicles. I know it gets heat but I always loved the TV adaptation of the Martian Chronicles. Apparently Ray B found it boring. It felt really bleak and it really stayed with me as a kid. Proper old-school sci-fi. I saw it as a very young kid on TV and although I couldn't follow the story the images haunted me. Dead towns and gyrocopters.

Pablo (@pbuydid) confesses: I always felt a fascination for The Martian Chronicles. I could never read Fahrenheit 451. Apart from that, I have read (Bradbury´s) short stories for the mix of emotions in his writings. From emotive stories to thrillers. It made me live the Adventure. Sergi (@SergiBellver) declares: I can´t chose between Fahrenheit 451 and The Martian Chronicles because both are masterpieces.

Animated tattoos, time travel and fantasy summers

For Francisco Juarez (@DANZAFRACTAL), his favorite Bradbury book is without a doubt, The Illustrated ManWonderful wave of amazing stories without a connection, apart from their beauty and horror…  Writer Mateo Coronado (@mateocoronado) thinks that the collected stories of The Illustrated Man are still relevant because of their deep sense, which is still pertinent. Like the good literature, it knows how to age.

José Antonio (@librosybitios) also selected this book for the variety and quality of the scenarios and plots. Elías (@odo), from the blog Sense of Wonder, points out: The Illustrated Man because of its capacity to suggest images with each story.

Many of those who respond to our call could not chose only one book by Bradbury. Writer and journalist José Luis Merino, author of the blog Ladrones de Fuego on El País, tells us: I bought five books by Bradbury many years ago, because they have short stories –it was a time when short stories were in fashion- (…) published by Minotauro-Edhasa (…) I don't remember how many I read. [Bradbury] was maybe the first to insist to “walk in space”.

The blog Literatúrame (@literaturamenet) remembers indispensable classics like The Martian Chronicles and Fahrenheit 451 as well as the Halloweenian long story and the tales from The Illustrated Man. All good!

Spanish filmmaker Alex de la Iglesia (@AlexdelaIglesia) states that the best of Bradbury can be experienced in the tale Tyrannosaurus Rex, from the collection The Machineries of Joy.  Writer Juan Gómez-Jurado (‏‪@JuanGomezJurado) likes The October Country because it stroke me its row depth. Jean (‏‪@jean_mallart) says that another title is S is for Space, a bit like The Illustrated Man but superior and strangely unknown.

Alberto (@Moguei) answers: my preferred title by Bradbury is “The Sound of Thunder”, a transcendent story for future works about time traveling. The atmosphere, the careful starting point and the shocking end have clearly contributed to the science fiction genre. This short story is included in the anthology The Golden Apples of the Sun.

@TAKHISISEAM has chosen “The Sound of Thunder”: I love the implications of time traveling to the past and how it can alter the future. Salvador (@sbautlo) agrees and adds: I like the cliché of time traveling in science fiction.

Writer Amy Thomson reveals to us that her favorite Bradbury book is Dandelion Wine. In part because it's so beautifully written. I started reading SF with the ABC's: Asimov, Bradbury, and Clarke. Bradbury taught me to love a beautiful prose style at an age when most kids were barely out of chapter books. I devoured his short story collections, and they left a deep imprint on my taste in reading. But Dandelion Wine stood out as a perfect evocation of a childhood summer.

Gregorio Belinchón (@gbelinchon), cinema critic for El País, has also chosen Dandelion Wine: because I also spend some weird summers in my childhood, although no like this blend of fantasy and reality.

Maria (@mselke01) confesses that my favorite #RayBradbury is the illustrated version of "Homecoming". Though I also love the full From The Dust Returned. I love the strange family with their oddly normal child, and how it shows the common theme of longing to fit in.

Luis (@addkerberos), one of the thinking heads behind online mag milinviernos, describes A medicine for melancholy as a collection of stories different from The Martian Chronicle’s –which I also love. Even though belongs to the universe of The Chronicles, it does not try to have a common theme: the stories are more independent.

British writer China Miéville has participated unexpectedly in this humble tribute to Bradbury through an e-mail. In his own words: the key text for me is a short story called 'The Man Upstairs', because of its unremittingly macabre imagery, camouflaged by his usual charming tone, and the image that he presents at the end. It's an extraordinary work.

The blog finally snapped out of lethargy. But it does not speak. I see it surrounded by an ocean of bits. Looks like virtual creatures don't cry. They express sadness dropping shreds of information. No doubt that Bradbury’s departure saddens the blog more than it admits.

I want to dedicate this post to @RCardonet, who has also leave us. I don’t believe in paradise o reincarnation but I trust the power of imagination. That is why I want to think that he is sharing a spacecraft ride with Bradbury heading towards Kuiper's asteroid belt and winning at Scrabble. We already miss you two.

About Cristina Jurado: 

Cristina Jurado Marcos writes the sci-fi blog Más ficción que ciencia on Libros.com. Having a degree in Advertising and Public Relations by Universidad de Seville and a Masters in Rhetoric by Northwestern University (USA), she currently studies Philosophy for fun. She considers herself a globetrotter after living in Edinburgh, Chicago, Paris or Dubai. Her short stories have appeared in several sci-fi online magazines and anthologies. Her first novel From Orange to Blue will be published in Spring 2012.